New Media: An Introduction looks at the forces shaping new media technologies, and their social, cultural, political, and economic impacts. It approaches new media as social and cultural forms that are transforming everything from commerce to communities, and from creative industries to cyberpolitics.

New Media: A Critical Introduction is a comprehensive introduction to the culture, history, technologies and theories of new media. Written especially for students, the book considers the ways in which 'new media' really are new, assesses the claims that a media and technological revolution has taken place and formulates new ways for media studies to respond to new technologies...(展开全部)

The mushroom-like growth of new media technologies is radically challenging traditional media outlets. The proliferation of technologies like DVDs, MP3s and the Internet has freed the public from what we used to understand as "mass media." In the face of such seismic shifts and ruptures, the theoretical and pedagogical foundations of film and TV studies are being shaken to th...(展开全部)

This work describes art in the age of digital communication. Artists have always been early adopters of emerging media technologies, from Albrecht Durer and his use of the printing press in the 16th century to Nam June Paik's experiments with video in the 1960s. In 1994, the advent of the Internet as a popular medium catalyzed a global art movement that began to explore the cul...(展开全部)

This collection of essays highlights innovative work in the developing field of media archaeology. It explores the relationship between theory and practice and the relationship between media archaeology and other disciplines. There are three sections to the collection proposing new possible fields of research for media studies: Media Archaeological Theory; Experimental Media Ar...(展开全部)

A philosophy of new media that defines the digital image as the process by which the body filters information to create images. In New Philosophy for New Media, Mark Hansen defines the image in digital art in terms that go beyond the merely visual. Arguing that the "digital image" encompasses the entire process by which information is made perceivable, he places the body in a p...(展开全部)

作者简介：沃格林（Eric Voegelin，1901-1985）/ 20世纪西方著名的政治哲学家。在实证主义政治科学独领风骚的年代里，沃格林凭借渊博的学问和深刻的见识，对人之本性、处境和命运进行了深邃的思考和探索，试图恢复对政治事务之本质的洞察，重建真正的政治科学。沃格林生前发表了上百篇论文和多种著作，其中以《新政治科学》和《秩序与历史》最为著名，现有英文版《沃格林全集》34卷行世。 译者简介：段保良 / 政治学博士，执教于陕西师范大学，主要研究领域为政治哲学，西方政治思想史。

"Thirty-five years ago few could have predicted that "The New Science of Politics" would be a best-seller by political theory standards. Compressed within the Draconian economy of the six Walgreen lectures is a complete theory of man, society, and history, presented at the most profound and intellectual level. . . . Voegelin's [work] stands out in bold relief from much of what ...(展开全部)

"Thirty-five years ago few could have predicted that "The New Science of Politics" would be a best-seller by political theory standards. Compressed within the Draconian economy of the six Walgreen lectures is a complete theory of man, society, and history, presented at the most profound and intellectual level. . . . Voegelin's [work] stands out in bold relief from much of what ...(展开全部)

This reader collects the texts, videos, and computer programs--many of them now almost impossible to find--that chronicle the history and form the foundation of the still-emerging field of new media. General introductions by Janet Murray and Lev Manovich, along with short introductions to each of the texts, place the works in their historical context and explain their significa...(展开全部)